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This code, based on uiae's blogpost takes a JPG file and replaces some bytes on it to mess up the codec. The result, some funny glitches
Type and click while breathing into microphone and still pretend not to be insane
Silly gregorian chant, from http://sccode.org/1-4Vm
and more savings... fork{loop{{|i|Ndef(i,{GVerb.ar(LFTri.ar(99+9.rand2),1,i)/2}).play;0.2.wait}!2}} now down to 79 characters.
I got some percussive Sine-Grains with Reverb with random panning, frequency, amplitude :)
nice =) you could save a few chars with the last one with Ndef ;) Ndef(\a0).play;Ndef(\a1).play;fork{loop{2.do{|i|Ndef((\a++i).asSymbol,{GVerb.ar(LFTri.ar(99+9.rand2),1,i)/2});0.2.wait}}}
Formant Synthesis example with a silly bass voice.
Simple SynthDef using Pluck, and a few Pbinds demonstrating making use of it.
Ok, should be better now :)
Sorry, didn't sound lik ethis when I last tried - will try to fix!
Well, i filter harmonics of a fundamental LFSaw (E because it sounds wider). I though it is the definition a substractive synth ? Btw, i implemented this following this www page : http://www.angelfire.com/in2/yala/2ansynth.htm Glad you like it .
I´m not sure if that qualifies as a Subtractive Synthesis... More additive synth... But nice sound neverthenless =)
One of the common questions on the list is about handling very large sound files with BufRd. BufRd indexes into the buffer using a single-precision float, which supports buffers only up to 2**24 frames (a bit more than six minutes at 44.1 kHz). Th
In the process of learing abstract algorithm https://soundcloud.com/pierrealainbourdil/substractive-synthesis
where did I left my ears? They were blown by the headphones... ;)
a short piece which plays random major music. It sounded very happy.
Cross-tuning between multiple signal dimensions. The code is finished without listening.
This is great. Makes me never want to hit control + period. :-)
https://www.dropbox.com/s/ei04zk09m2nblj3/Desktop.zip
Hi, where can I find the samples used in this code, please ?
Idea: network of loosely connected nodes. Each node has a dedicated pulse rate / phase. Inducing an irregular trigger signal influences the nodes to (gradually) adapt their pulsation freq (and phase?) to the one of the input. sound example: https://
Simple amplitude trigger using Onsets, Amplitude and SendReply for sending triggers to sclang from SoundIn.
It's jsut an amplitude tracker, to exaplin how to send values from scsynth to sclang.
ComparFeedback implements an FM feedback matrix based on the ComplexRes UGen. The number of nodes can be set when defining the synthesis engine. ComparFeedback implements a superset of the Compar system (see Compar.scd in this folder). This code exa
Compar is a feed-forward resonator network featuring three ComplexRes nodes (available from https://github.com/supercollider/sc3-plugins ). This code example accompanies the paper "Dynamic FM synthesis using a network of complex resonator filters" b
Compar is a feed-forward resonator network featuring three ComplexRes nodes (available from https://github.com/supercollider/sc3-plugins ). This code example accompanies the paper "Dynamic FM synthesis using a network of complex resonator filters" b
I needed an Env editor with knobs to edit individual points. Maybe it can be useful to someone. You can zoom horizontally with shift+mouseDrag. Show also a way to write classes with events
This is in response to a question on sc-users, with subject: [Envelope as signal](http://new-supercollider-mailing-lists-forums-use-these.2681727.n2.nabble.com/Envelope-as-signal-td7603680.html), about how to morph between two different Envelopes-as-
When you understand that Ndef can be used to modulate pattern keys, it opens a whole new world
Bravo, very cool. I made some modifications with individual synths being panned randomly, it creates a lovely 'bubbling' effect with headphones on.
This is a small utility i wrote to make it easy to detect the pitch of incoming audio (i.e. your voice into your mic). I recommend binding the execution of "~pitchTrack.();" to a keyboard shortcut in your editor/IDE. It's incredibly convenient to jus
A simple example that shows of how to build higher-level patterns using Pdef
Nice sounds! By the way, don't know if it's necessary in this case, but in general the two Synth instructions should be enclosed in a s.bind{ ... } statement.
Play around with {Rand(70, 21000)}!7 A simple example for the begginers... hope I can contribute to something =)
Each QuNeo pad triggers a different sound file. Horizontal axis controls transposition. Play/Stop buttons control looping.
Each QuNeo pad activates a differnt pattern of "notes" made of filtered white noise.
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