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Effects

by egor on 08 Aug'11 19:36 in pattern effect

some pattern exprimenting

reception: strange (1)patterns (1)cool (1)

Sick LinCong

by clicksonnil on 08 Sep'11 05:57 in noise linear nonlinear random number generator

Use of linear congruence and multiply with carry random number generators for non-realtime signal generation. Very noisy outputs, watch your ears! (yo

reception: noisy (1)

Waveshaping Synthesis GUI Demo 2

by Bruno Ruviaro on 08 Sep'13 23:01 in gui synthesis techniques waveshaping

Graphical interface for experimenting with waveshape synthesis.

Spectrum and Spectrogram of a sound file

by jcc on 07 Nov'14 17:30 in spectrum spectrogram

Calculates and plots the spectrum at any position in a sound file (only reads one channel). Displays the spectrogram of a selected segment of a sound

Waveshaping GUI Demo 1

by Bruno Ruviaro on 08 Sep'13 23:00 in gui synthesis techniques waveshaping

Visualize the basic concept of waveshaping with a nice & straightforward GUI. This patch makes no sound.

UPIC waveform editor

by snappizz on 11 Feb'14 18:21 in gui xenakis editor upic theremin

A fun little GUI toy emulating a freehand waveform editor as seen in Iannis Xenakis' UPIC software. Draw on the graph to edit an oscillator's waveform

num1

by Devi Skanadze on 23 Sep'14 13:56 in ambient

Graphic illustration of granular time-stretching

by jamshark70 on 26 Apr'15 03:39 in granular synthesis techniques pedagogy

Graphically represents a small set of granular windows, with variable offset. Move the "ratio" slider, and you can see and hear time stretching.

reception: graphics instructional (1)

Radial loudness meter

by snappizz on 07 Jun'15 18:25 in amplitude graphic visualization loudness

Short-time loudness is represented by an outer arc, and long-term loudness is represented with a circular graph showing the loudness over the last 60s

Cumulative Pulses

by henklass on 29 Oct'16 07:30 in cumulative pulses control signals palindrome

Cumulative pulses Imagine pulse-generators with different frequencies. Pulses are added together to generate control signals, e.g. for pitch, or may

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