SynthDEFaults

SynthDEFaults - A Collection of Tradicional SynthDefs- //under GNU GPL 3 as per SuperCollider license //Organized by Zé Craum //This is the firs

Chord progressions in just intonation

Seems simple but actually solves a big problem. I've written out an example based on the Christ lag. Total newbie here. There's probably a much more c

Rate Player

This is a player that I use for live work. It takes piano samples (or anything else I guess) and plays them in a rhythmic way that is also based on ch

UI for FM7

A Multichannel Convolution Reverb

hommage à l'impressionnisme

An example of iterating randomly filtered pink noise with envelope controls.

Equal-Loudness Contour Experience in SC

Equal-Loudness Contour Experience in SC special thanks to James Harkins who resolved my errors in the code via the sc-users list!

Quneo Additive synth with modulation and filters.

This is an additive synth using a sinOscFb with an lfo and an RLPF ... it's desiqned for the quneo controller. The pads control note and velocity a

SELFSTEP

a simple self-playing piece with generative patterning

generative melody

supercollider implementation of padsynth algorithm.

An implementation of Paul Nasca Octavian's excellent PadSynth algorithm in supercollider, driven from patterns. This code is accompanied by a blog art

Randomized FM7 perc sounds

Requires: SuperCollider v3.8.0+ FM7 (sc3 plugins) Feedback Quark

neural sirens

Accurate Yamaha DX-7 Emulation Using Supercollider

This project aims to emulate the Yamaha DX-7 synthesizer. It almost perfectly emulates the original DX-7 unit. Blind test between original unit and em

creating rhythms

from the book 'Creating Rhythms' by Stefan Hollos & J. Richard Hollos http://abrazol.com/books/rhythm1 ported from c to supercollider related class

Squiggle squiggle

A more extensive squiggle session. Construction is detailed in a blog post http://technogems.blogspot.be/2017/08/automating-squiggles-in-supercollider

Movie without images

Requires supercollider 3.9dev. (But you probably can use older versions if your replace Done.freeSelf with number 2.) All sounds are synthesised - no

FFT additive oversampling (graphical demo of the sampling theorem)

I originally wrote this to demonstrate what sampled audio really represents -- that is, if a series of samples represents the one and only band-limite

Wave-like

Some ocean sounds. Thanks to LFSaw and snappizz!

Double Oscer

Migration from the old SourceForge wiki.