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Rhythm Feedback

by rumush on 07 Dec'15 15:30 in

Ndef with feedback where the source gets seperated so it runs through three different effects with LFPulse as volume control. You can get some feedbac

DWG sitar model

by snappizz on 22 Sep'15 16:02 in guitar instrument physical model plucked strings pluck sitar

guhhh, lots of complication for not that much payoff. please fork if you have some ideas for how to improve this


by Alexander Lunt on 08 Nov'14 13:22 in sound effects gui melody waves synth synthesis wave synthdef additive synthesis ring modulation synthesizer user interface window

A Synthesizer similar to the Ableton Operator: Four Oscillators can be modulated and manipulated in different ways. Just evaluate the whole Code at on

Re: An FM Matrix Synth with 1to1 feedback -- nanokontrol NNdef version

by miguel-negrao on 22 Jun'14 08:20 in fm code fork synth matrix

FM Matrix Synth, now with 1to1 feedback! Version for nanocontrol: 3x3 matrix indexes - 9 faders freqs, first 3 knobs amps, second group of

Simple Vocable Synthesiser

by uiae on 19 Mar'14 07:43 in speech synthesis vocable livecoding yaxu

A SuperCollider version of Alex McLean's vocable synthesiser. The original is written in haskell and uses hsc3. [Source Code](

Scanned Synthesis Visualisation

by Matthew Kane on 25 Feb'14 17:39 in scanned synthesis visualization

Visualization of scanned string synthesis.

reception: gui (1)scanned synthesis (1)visualization (1)

Sound file chunks: Workaround for single-precision buffer indexing

by jamshark70 on 06 Nov'13 21:19 in buffer utility long bufrd chunks incremental

One of the common questions on the list is about handling very large sound files with BufRd. BufRd indexes into the buffer using a single-precision fl

Re: network of loosely connected nodes (now working)

by LFSaw on 21 Oct'13 14:30 in code fork synchronisation weak connection

Idea: network of loosely connected nodes. Each node has a dedicated pulse rate / phase. Inducing an irregular trigger signal influences the nodes to (


by LFSaw on 21 Oct'13 06:12 in ndef resonator complexres plugin recursive network

ComparFeedback implements an FM feedback matrix based on the ComplexRes UGen. The number of nodes can be set when defining the synthesis engine. Compa

random 303

by devilfish404 on 16 Aug'13 09:13 in

i found this somewhere as an example of obtrusive coding. i don't know who the original author is, sorry. I cleaned it a bit up as a study tool for my

An FM Matrix Synth with 1to1 feedback.

by LFSaw on 25 Mar'13 11:02 in fm synth matrix

FM Matrix Synth, now with 1to1 feedback!

reception: awesome (1)

batuhan's buzzer parametrized

by iani on 10 Dec'12 11:36 in sc140 rich

A beautiful sc140 tweet by Batuhan Bozkurt, parametrized for real-time changes. To do: Add gui widgets for easier interactive control.

reception: cool (1)awesome (1)

Dawn and Mist

by sandrovale on 04 Dec'12 03:07 in ambient noise drone experimental

My first composition in Supercollider. The last part is produced live via the mic on your laptop: use headphones to avoid feedback.

Red alert

by DSastre on 22 Nov'12 11:21 in alarm siren

Based on pure data code from the book "Designing Sound" by Andy Farnell. (Chapter 58)

SC Tweets collection

by andre on 10 Nov'12 18:01 in tweets

SC tweets collection from the SC symposium London 2012

Scanned Wave Synthesis

by phrontist on 05 Oct'12 15:22 in scannedwave scanned wave synthdef

Impetus provided by this fine thread:

reception: cool (1)spring (1)scanned wave synthesis (1)


by rwentk on 13 Sep'12 21:04 in ambient analog generative infinite pentatonic moog svf chill

Sort of analog-ish non-shiny largo pads modulating forever.

reception: analog (1)relaxed (1)awesome (1)beautiful (1)va (1)wow (1)

pattern morphing

by grirgz on 26 Jul'12 23:18 in pattern morphing event

A pattern which do morphing between two event pattern (cross-fading synth arguments)

reception: cool (1)morphing (1)


by DSastre on 22 Jul'12 15:20 in scifi star wars fm r2d2

A "computer babble" sound and a FM Synthesizer for computer noises. Based on pure data code from the book "Designing Sound" by Andy Farnell.

reception: educational (2)nice (2)awesome (1)