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Chaos Machine
by dkam136 on 09 Dec'20 12:58 inI've been building some tutorials for SuperCollider and just wanted to share this one I made on creating a Chaos Machine in SuperCollider. Full disclo
Eternal Elevator Ensemble
by 56228375 on 08 Dec'20 01:15 inLegend has it that on December 14th of 1287, the day that lives by the name of St. Lucia's Flood, a metalic artifact was unearthed filled with undecip
first steps with NamedControl
by emergent on 05 Dec'20 18:15 inmy first experiment with NamedControl shorthand notation.
SpacePan - A Spatial Audio Environment
by audioholic on 07 Nov'20 18:40 inThis is a basic spatial audio tool using source oriented vector based delay and amplitude panning as well as basic room simulation. This code was
Doppler Pitch Shift
by kennethflak on 05 Nov'20 09:09 inA first attempt to port a doppler pitch shifter following this tutorial: https://www.youtube.com/watch?v=uyzY_ZP54pA to SuperCollider from Max.
Shepard-Risset glissando
by Andrew Brož on 01 Nov'20 08:26 inA short SynthDef that produces a Shepard-Risset glissando and some code to demo it.
Fireflies Intro - Owl City
by eli.fieldsteel on 25 Oct'20 19:20 inre-creation of the introduction to Fireflies by Owl City (original video: https://www.youtube.com/watch?v=psuRGfAaju4)
In-between, longing
by jpdrecourt on 29 Sep'20 23:04 inThis is the full code of the piece "In-between, longing" posted here for reference. For a brief explanation of some of the features of the code, pleas
Deep Choir (THX Deep Note inspired synth sketch)
by Andrew Brož on 22 Sep'20 00:18 inTHX Deep Note inspired synth sketch
[SIMPLE] Random Pad Generator
by Checco Ruseo on 17 Sep'20 12:40 inA random pad generation thing. Every time you click EXECUTE, a pad with a certain number of melodic lines is generated using the parameters in the G
control patterns via control bus
by Luka P. on 02 Aug'20 21:01 ina learning example where you can control patterns with running ugens via control bus. acid-like.
reception: useful (1)vinil 10.2
by lambda on 22 Jul'20 03:43 inusing a saw osc to modulate delay time resulting in pitch shifting and in the extreme case, inversion through time of the signal