Vanguard - A1: Karplus-Strong Synthesis (musc-115-pluck)

This piece is a remix of my previous piece called "Avant Garde" in which a plucking synthesizer is used. In this piece, I have modified the plucking s

In Divisions - Midterm: Plunderphonics with Granular Sampling (musc-9-plunderphonics)

This track was created using SuperCollider and using granular sampling. The sampled track is In Division (Toxic Avenger Remix) by Underoath. The sampl

303 emulation

This code does tb303 emulation, with analogue style sequencing.

tb303

Molecular music box 2

Same algo, but instead of picking the next note in the scale, it take the next event in an event pattern, much more possibilities, I have fun for hour

beat grid

prototype of simple metre beat grid running on server w/ synced TempoBusClock

The Sounds of Fibonacci

Pisano Periods for the numbers 2 to 1000 converted to sounds

Another weird filter distortion

Distortion made by abusing the DFM1

Part-Aleatoric Sample Machine

This piece is a demonstration of the Part-Aleatoric Sample Machine, a project I am working on to explore possible interfaces between human and non-hum

Algorithmic melancholy

20140103_1504 (pluck piece)

New piece arranged and performed in SuperCollider based on code from Bruno Ruviaro, "Pluck (Karpus-Strong) example" (pluck pattern - thanks Bruno) and

wobble bass

Gravel

Beat slicer

beat slicer

Sampling Demo with QuNeo - Patch 1

Each QuNeo pad triggers a different sound file. Horizontal axis controls pitch bend (off by default). Play/Stop buttons control looping. Allows use of

Subtractive Synthesis GUI Demo 2

Translucent "pad" interface to play with subtractive synthesis. White noise triggered by either Impulses of LFPulse, then filtered by a Band Pass Filt

Frequency Modulation GUI Demo 4

Experiment with FM by specifying contours for Carrier Frequency, Modulation Index, and Amplitude Envelope. Also adjust duration of events. In this ver

Frequency Modulation GUI Demo 3

Experiment with FM by specifying contours for Carrier Frequency, Modulator Frequency, Modulation Index, and Amplitude Envelope. You can also choose du

Additive Synthesis GUI Demo 4

Multislider interface to control up to 16 inharmonic partials of a timbre. Two modes of play: "Continuous Tone" - it simply plays a continuous tone as

Additive Synthesis GUI Demo 3

2 button rows to play up to 16 inharmonic partials of a given fundamental frequency. Horizontal Sliders control ADSR envelope, Global Volume, and Fund