Modal synthesis of xilophone, marimba, glokenspiel, tubular bells

Example of modal synthesis made with a **Klank** UGEN as _resonator_ and white noise impulse as an _exciter_. All resonators of the Klank UGEN are

UI for FM7

looping buffer granuals

This is a granular synth, much inspired by http://sccode.org/1-4WM It's distinct in that the SynthDef loops in a live recording buffer with a sligh

Stutter live looping buffer

The stutter tutorial really has it all. Just not with live audio :)

60 Hz Gabber Rave 1995

Spacey Synth example

Example reworked and extended from http://wiki.cs.princeton.edu/index.php/Example_5 It outputs MONO as it was designed for SCLOrk

stranger things

First 30 seconds or so of the obligatory "stranger things" theme. I didn't make any serious attempt to perfectly clone the original sounds, but I feel

supercollider implementation of padsynth algorithm.

An implementation of Paul Nasca Octavian's excellent PadSynth algorithm in supercollider, driven from patterns. This code is accompanied by a blog art

L'onde longtemps captive en s'écoulant murmure

FM7 Patch

Lamento

( Requires the theory quark from https://github.com/shimpe/theoryquark ) Moments before life support was to fail, a supercollider satellite was ejecte

FM bell and bass

Synthdefs inspired by FM8

Controlling DSI tetra with Supercollider--some examples

Scribble Squiggle

Alternative way of squiggling: instead of modeling the squiggle with math formulas you can also just draw it by mouse, record it and then play it back

Squiggle squiggle

A more extensive squiggle session. Construction is detailed in a blog post http://technogems.blogspot.be/2017/08/automating-squiggles-in-supercollider

Eternal sunrise

Moth drums

I like the discoey feel. The snare's probably much too noisy but what the hell.

Xiongnu bells

Makes a sort of melody out of detuned bell sounds.

FFT additive oversampling (graphical demo of the sampling theorem)

I originally wrote this to demonstrate what sampled audio really represents -- that is, if a series of samples represents the one and only band-limite

City