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Additive Synthesis GUI Demo 3

by Bruno Ruviaro on 09 Sep'13 04:33 in gui additive synthesis synthesis techniques inharmonic partials

2 button rows to play up to 16 inharmonic partials of a given fundamental frequency. Horizontal Sliders control ADSR envelope, Global Volume, and Fund

Additive Synthesis GUI Demo 2

by Bruno Ruviaro on 09 Sep'13 04:29 in gui additive synthesis synthesis techniques

Multislider interface to control 32 partials of a harmonic series. Two modes of playing: "Continuous Tone" - it simply plays a continuous tone as you

random 303

by devilfish404 on 16 Aug'13 15:13 in

i found this somewhere as an example of obtrusive coding. i don't know who the original author is, sorry. I cleaned it a bit up as a study tool for my

New-Metal Mistress Time

by Tim Walters on 16 Jun'13 01:00 in drone freerun

A free-running oscillator piece. I was hoping the three elements had enough code in common that I could make an elegant generator for them, but not so

SC Tweets collection

by andre on 11 Nov'12 00:01 in tweets

SC tweets collection from the SC symposium London 2012

awakened nest

by vividsnow on 02 Oct'12 11:35 in sketch

late night experimenting

oenci

by vividsnow on 23 May'12 22:20 in rhythmic experimental random endless

example outputs at [soundcloud](http://soundcloud.com/vividsnow/oenci)

XL Kaos Looper

by axl99 on 29 Nov'11 22:32 in looper live looping kaoss pad

An 'all-in-one' live looping synth with the ability to switch between the regular loop player and one that loops smaller fractions of the loop. Inspir

Re: winter is coming

by vividsnow on 16 Sep'11 15:37 in rhythmic sketch code fork

evolution of [this](http://sccode.org/1-1c)

Re: Recursion-toy-like vines with Pen

by vividsnow on 05 Sep'11 21:41 in gui code fork sonification

some simple sonification of [1-14](http://sccode.org/1-14)

Vinyl Pops and Crackles

by eli.fieldsteel on 15 Aug'11 01:42 in ambient noise emulation

old school noise from needle on vinyl

Wibbly Tones

by 38nonprivate on 12 Aug'11 20:27 in texture triad wibbles

Concept: instead of having 3 sustained tones making up a triad, how about having several tones that jump to the notes at random? If a number of these

reception: 34 (1)39 (1)43 is very nice (1)
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