Timpani

Subtractive Synth

Play around with {Rand(70, 21000)}!7 A simple example for the begginers... hope I can contribute to something =)

Sampling Demo with QuNeo - Patch 1

Each QuNeo pad triggers a different sound file. Horizontal axis controls pitch bend (off by default). Play/Stop buttons control looping. Allows use of

Subtractive Synthesis Demo with QuNeo - Patch 2

Each QuNeo pad activates a differnt pattern of "notes" made of filtered white noise.

Subtractive Synthesis Demo with QuNeo - Patch 1

QuNeo pads play filtered white noise. Midinote becomes center frequency of a Band Pass Filter.

Additive Synthesis Demo with QuNeo - Patch 3 (Risset Bell)

QuNeo controller playing Risset Bells (additive synthesis demo).

Additive Synthesis Demo with QuNEO - Patch 1

QuNeo controller additive synthesis demo.

SuperCollider sending data to Processing

first in SC i analyse audio data with some useful UGens: Onsets, SendTrig and SendPeakRMS; this data is then polled back to de client and dispatched

Waveshaping Synthesis GUI Demo 2

Graphical interface for experimenting with waveshape synthesis.

Subtractive Synthesis GUI Demo 2

Translucent "pad" interface to play with subtractive synthesis. White noise triggered by either Impulses of LFPulse, then filtered by a Band Pass Filt

Granular Sampling GUI Demo 2

Graphical interface to experiment with granular sampling (multiple sound files at a time).

Frequency Modulation GUI Demo 4

Experiment with FM by specifying contours for Carrier Frequency, Modulation Index, and Amplitude Envelope. Also adjust duration of events. In this ver

Frequency Modulation GUI Demo 3

Experiment with FM by specifying contours for Carrier Frequency, Modulator Frequency, Modulation Index, and Amplitude Envelope. You can also choose du

Formant Synthesis Singers GUI Demo

Four voice types available: Soprano, Alto, Tenor, Bass (buttons SATB). Two vibrato controls: speed and depth (horizontal sliders). Fundamental frequ

Additive Synthesis GUI Demo 4

Multislider interface to control up to 16 inharmonic partials of a timbre. Two modes of play: "Continuous Tone" - it simply plays a continuous tone as

Additive Synthesis GUI Demo 3

2 button rows to play up to 16 inharmonic partials of a given fundamental frequency. Horizontal Sliders control ADSR envelope, Global Volume, and Fund

Additive Synthesis GUI Demo 2

Multislider interface to control 32 partials of a harmonic series. Two modes of playing: "Continuous Tone" - it simply plays a continuous tone as you

Additive Synthesis GUI Demo 1

Simple button grid to play first 16 partials of a harmonic series. Horizontal Sliders control ADSR envelope. All partials have equal amplitude.

X-Files

I always liked this sound when watching X-Files, then I re-created it by chance =) (fork of the tweet 0007 by redFrik)

Re: Infinite rhythmic marimba clusters

fairies and ghosts