Using filtered feedback with a noise input to produce a tone. Some bass notes turn a little noisy if the freq is left at one value for a few seconds.
A simulation of holding an electric guitar up to the amplifier, creating feedback. Press the mouse button to activate the whammy bar :)
If you are too poor to afford changing the amplitudes of a stereo signal, just let the channels wait. But the signal frequency is an impasse that is t
lunatic asylum band during moon eclipse
p.s. slightly different sounding on each run )
works with both qt and cocoa. i get a steady 60fps on my machine. try lowering 'l= 1024' at the top if it's too heavy on your cpu.
Inspired by Formlet, which does something like formant synthesis by outputting short sinusoidal grains in response to impulses, I thought, what if we
Ten layers of sound, all constantly running,
yet only one is in "sharp focus" at any time.
Move the mouse up and down to control the focal depth.
Different insect sounds, including field crickets, a cicada and a housefly. Based on pure data code from the book "Designing Sound" by Andy Farnell.
emulator of Triadex's The Muse. Comments welcome; I've never used one of these things directly.
A simple synthdef for Wave Field Synthesis rendering.
mouse controls lfo volume in the x axis and band pass filter cut off in y, bit of randomness on the cutoffs and mucho glitchiness results
Rhythmic mouse controlled tweet that sounds sort of like a turntable slowing down. Kinda.
2 Dseq patterns modulating each other. Speed of each pattern controlled by a mouse axis
2 channels of chuckling sawtooths
Has a low frequency drone, with Dust fed into the TwoTube physical model. The result of the physical model is shifted down in frequency.