granular AM synthesis

My first composition that goes beyond tweaking documentation examples. It uses a kind of granular synthesis where each grain is a short AM synthesized

Monophonic SynthDef Sequence

This was my creation as I learned how to work with PmonoArtic. Took way too long to realize "freq" and "gate" were naming conventions and I didnt need

click clack toot // fm-grains

/* clicks and ambience. click clack tooot..... partly loud clicks... i tried to practice granular synthesis but failed in the end to make

minor random bliss in two for Prout

sine(LFPar) minor random bliss in two

just something i did as an excercise trying to understand clocks and scheduling

Middle Children of History MUSC115 Final

https://soundcloud.com/user-68447368/middle-children-of-history-musc115-final

115 Final

Fragment VI

Code to produce this piece: https://frankchannel.bandcamp.com/track/fragment-vi From this album: http://frankchannel.bandcamp.com/album/fragments Wh

Side to Side flip

https://drive.google.com/open?id=0B3bl8mC-wzC1eDhPNXFaTkhxQlE

Hotel Cheree - MUSC 115 FINAL

SoundCloud: https://soundcloud.com/mileselliott/hotel-cheree-musc-115/s-iUrOR Samples: https://drive.google.com/drive/folders/0B_RfpesVhgStR3RrRzhBaW

Language based n x n step sequencer

Rough Draft Final

Good Life 115granular

https://soundcloud.com/user-665612115/good-life-115granular

Sound Design and Chill A2

Cumulative Pulses

Cumulative pulses Imagine pulse-generators with different frequencies. Pulses are added together to generate control signals, e.g. for pitch, or may

smooth arpeggio, updated envelope

simple smooth arp

plays an arpeggio on the "left hand" and an arpeggio on the "right hand"

Benoit XVI

Close in Counters of the Fourth Mind

Utilizing some Ar's, Kr's, and Pbinds, we can find ourselves in a counter of the fourth mind.

How to generate random envelope but control it with pattern standard \dur and \legato mecanism