Twilight Luminaries

Twilight Luminaries is an endless generative composition based on random polyphonic sequences. While it has some hard limitations like fixed note

Generating Graphics and Music From The Dragon Curve

This minimal music generator uses a Lindenmayer system to generate composition instructions. Interpreting those same instructions twice with some rand

KickandBass

Another small GUI performance module. Builds on a 303 from the helpfiles with a few changes.

aurora borealis

Random synths selected from VarSaw, Pulse and WhiteNoise create a texture resambling brasses, woods and flutes. It reminds me Micheal Land "The Dig"

Panola - pattern notation language tutorial

tutorial for the panola pattern notation language

SELFSTEP

a simple self-playing piece with generative patterning

stranger things

First 30 seconds or so of the obligatory "stranger things" theme. I didn't make any serious attempt to perfectly clone the original sounds, but I feel

supercollider implementation of padsynth algorithm.

An implementation of Paul Nasca Octavian's excellent PadSynth algorithm in supercollider, driven from patterns. This code is accompanied by a blog art

Randomized FM7 perc sounds

Requires: SuperCollider v3.8.0+ FM7 (sc3 plugins) Feedback Quark

FM7 Patch

FM bell and bass

Synthdefs inspired by FM8

Scribble Squiggle

Alternative way of squiggling: instead of modeling the squiggle with math formulas you can also just draw it by mouse, record it and then play it back

Squiggle squiggle

A more extensive squiggle session. Construction is detailed in a blog post http://technogems.blogspot.be/2017/08/automating-squiggles-in-supercollider

forlorn brownian atmosphere

Requires sc3-plugins: DFM1, Greyhole, JPverb

When The Saints Come Crawling Out

Submission for WESU algorithmic music show.

Xiongnu bells

Makes a sort of melody out of detuned bell sounds.

Crap jazz

A bassline with a randomish jazz thing over the top.

Singing discrete but continuously

This is a way of having both discrete and continuous control over a sound that is meant to be played trough patterns. One also have the possibility t

granular AM synthesis

My first composition that goes beyond tweaking documentation examples. It uses a kind of granular synthesis where each grain is a short AM synthesized

In Love - MUSC 115 Final

samples: https://drive.google.com/open?id=0B4lYb-DVaMMLekk4Y0JiSlkwbGM https://soundcloud.com/lydia-davidson-919585173/in-love-musc-115-final