«harmonized harmonic minor scale, chords + melody» by josecaos
on 10 Dec'11 19:14 in// harmonized harmonic minor scale chords + melody //// download audio @ http://www.archive.org/details/PaisajeEspanol
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////////#superCollider/////////// //////////////////////10_dic_2011 /////// paisaje Espanol ///// audio @ http://www.archive.org/details/PaisajeEspanol /////// escala A| B| C| D| E| F| G#| A menorArmonica /////// 57|59|60|62|64|65| 68|69 ////////////// s.boot; s.scope; s.meter; FreqScope.new; // s.record; //////// (// * (//fx SynthDef(\master,{|gate=1| var fx,env; fx=In.ar(20); fx=GVerb.ar(fx,24,3,0.2,mul:0.3); env=EnvGen.ar(Env.asr(0.01,0.98,0.01),gate,doneAction:2); Limiter.ar(Out.ar(0,Pan2.ar(fx*env,[0.92,-0.92])),0.75); }).add; ); (//acordes SynthDef(\inst,{|gate=1,nota1,nota2,nota3,nota4,rel| var cuerda,env; cuerda=HPF.ar( Limiter.ar((LFTri.ar(nota1.midicps,0,0.7)+SinOsc.ar(nota2.midicps,0.2,0.6)+ SinOsc.ar(nota3.midicps,-0.2,0.5)+SinOsc.ar(nota4.midicps,0.1,0.5)) +LFTri.ar(Mix(nota1.midicps,nota2.midicps,nota3.midicps,nota4.midicps),0,0.5), 0.9), 200,0.75); env=EnvGen.ar(Env.perc(0.015,rel),gate,doneAction:2); Out.ar([0,20],Pan2.ar(cuerda*env,[0.1,-0.9])) }).add; ); (//melodia SynthDef(\inst2,{|gate=1,nota1| var cuerda2,env; cuerda2=Limiter.ar(SinOsc.ar(nota1.midicps,0,0.1)+ Saw.ar(nota1.midicps,0.1,0.06)+ RLPF.ar( LFCub.ar(nota1.midicps,0.1,0.1)+ LFTri.ar(nota1.midicps,0.1,0.2), Phasor.kr(Impulse.kr(1),60,10000), 0.5), 0.2); env=EnvGen.ar(Env.perc(0.01,0.15),gate,doneAction:2); Out.ar(20,Pan2.ar(cuerda2*env,[0.9,-0.82])) }).add; ); //// ( Tdef(\acordes,{ var c=0,fund,primerg,segundog,tercerg,cuartog,quintog,sextog,septimog,tiempo,trans,release; Synth(\master);//sinte master ~acorde=Array.newClear(4);//1a,3a,5ta,7ma ~a=[45,47,48,50,52,53,56,57,59,60,62,64,65,68,69,71,72,74,76,77,80,81,83,84,86,88,89,92,93];//escala 4 octavas primerg=~a[0];//1er grado segundog=~a[1];//2do grado tercerg=~a[2];//3er grado cuartog=~a[3];//4to grado quintog=~a[4];//5to grado sextog=~a[5];//6to grado septimog=~a[6];//7mo grado tiempo=Pwrand([0.25,0.5,0.75,1,2],[0.35,0.45,0.05,0.1,0.05],inf).asStream; release=Pwrand([0.25,0.5,0.75,1],[0.1,0.5,0.2,0.2],inf).asStream; inf.do{ c=c+1; fund=Array.series(7,0);//fundamentales posibles la primera octava ~numfund=fund.scramble.pyramid.mirror2.reverse[c%fund.size];//grado de la escala //~numfund.postln; ~acorde.put(0,~a[~numfund]);//pone en la tonica algun grado de la escala trans=[0,0,12,24,36,0].choose; //trans.postln; if((~acorde[0]+trans)==(primerg+trans),{//Am7 ~acorde.put(1,~a[~numfund]+3);//menor ~acorde.put(2,~a[~numfund]+7);//5ta justa ~acorde.put(3,~a[~numfund]+11)//7ma mayor } ); if((~acorde[0]+trans)==(segundog+trans),{//Bm5b7m ~acorde.put(1,~a[~numfund]+3);//menor ~acorde.put(2,~a[~numfund]+6);//5ta disminuida ~acorde.put(3,~a[~numfund]+10)//7ma menor } ); if((~acorde[0]+trans)==(tercerg+trans),{//C5#7 ~acorde.put(1,~a[~numfund]+4);//mayor ~acorde.put(2,~a[~numfund]+8);//5ta aumentada ~acorde.put(3,~a[~numfund]+11)//7ma mayor } ); if((~acorde[0]+trans)==(cuartog+trans),{//Dm7m ~acorde.put(1,~a[~numfund]+3); ~acorde.put(2,~a[~numfund]+7); ~acorde.put(3,~a[~numfund]+10) } ); if((~acorde[0]+trans)==(quintog+trans),{//E7m ~acorde.put(1,~a[~numfund]+4); ~acorde.put(2,~a[~numfund]+7); ~acorde.put(3,~a[~numfund]+10) } ); if((~acorde[0]+trans)==(sextog+trans),{//F7 ~acorde.put(1,~a[~numfund]+4); ~acorde.put(2,~a[~numfund]+7); ~acorde.put(3,~a[~numfund]+11) } ); if((~acorde[0]+trans)==(septimog+trans),{//G#5b7dis ~acorde.put(1,~a[~numfund]+3); ~acorde.put(2,~a[~numfund]+6); ~acorde.put(3,~a[~numfund]+9)//7ma disminuida } ); ~acorde.postln; ~ins=Synth(\inst); ~ins.set(\nota1,~acorde[0]); ~ins.set(\nota2,~acorde[1]); ~ins.set(\nota3,~acorde[2]); ~ins.set(\nota4,~acorde[3]); ~ins.set(\rel,release.next); tiempo.next.wait } }); ); ( Tdef(\melodia,{ var c=0,quinta, tiempo=Pwrand([0.25,0.5,1,0.0125],[0.35,0.6,0.25,0.025],inf).asStream; inf.do{ ~amel=[57,59,60,62,64,65,68,69,71,72,74,76,77,80,81,83,84,86,88,89,92,93];//3 octavas c=c+1; ~numel=~amel.scramble[c%~amel.size]; ~numel.postln; quinta=[0,0,7,12,0].choose;//se transpone una quinta u octava ~ins2=Synth(\inst2); ~ins2.set(\nota1,~numel+quinta); tiempo.next.wait } }); ); ) (// Tdef(\acordes).play; Tdef(\melodia).play; ) Tdef(\melodia).stop; Tdef(\acordes).stop; s.stopRecording;
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reception
this is awesome :)
Very very cool, extremely 'musical' for a generative piece. I will have to study this.
like it :)
in \inst why :
+LFTri.ar(Mix(nota1.midicps,nota2.midicps,nota3.midicps,nota4.midicps.poll(label:"hey")),0,0.5),
Seems more logical to do
+Mix(LFTri.ar([nota1.midicps,nota2.midicps,nota3.midicps,nota4.midicps],0,0.5)),
No ?
Very nice!