«mission 8» by grirgz
on 26 Sep'11 19:25 inThis is one of the first piece of code I written when i began to learn SC (precisely, the piece number 8)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146
( SynthDef("piou", { arg out=0, amp=1, sustain=0.5; var ou; ou = SinOsc.ar( XLine.kr(500, 50, sustain)*SinOsc.kr(9)+1, XLine.kr(000, 10, sustain) ) * EnvGen.kr(Env.linen(0.1,0.5,0.1), timeScale:sustain, doneAction:2); Out.ar(out, ou * amp) }).store; SynthDef("fm1", { arg out=0, amp=1, sustain=0.5, freq=440, modf=9; var ou; ou = SinOsc.ar( SinOsc.kr(modf)+1*freq) * EnvGen.kr(Env.linen(0.1,0.5,0.1), timeScale:sustain, doneAction:2); Out.ar(out, ou * amp) }).store; SynthDef("fm2", { var out=0, amp=1, sustain=0.5, freq=500, modf=200, modbpf=900; var ou; ou = SinOsc.ar( SinOsc.kr(modf)+1*freq) * EnvGen.kr(Env.linen(0.1,0.5,0.1), timeScale:sustain, doneAction:2); ou = BPF.ar(ou, SinOsc.kr(SinOsc.kr(1)+1*900)+1*freq); }).store; SynthDef("shh", { arg out=0, amp=1, sustain=0.5, freq=440, modf=9, noise=0.5; var ou; ou = WhiteNoise.ar(noise); ou = LPF.ar(ou, SinOsc.kr(modf)+1*freq) * EnvGen.kr(Env.perc(0.001,sustain), doneAction:2); Out.ar(out, ou * amp) }).store; SynthDef("kickTrig1", { arg levK=1, t_trig=0, sustain=0.125, f1=36.7, f2=73.4, amp=1, out=0; var kEnv, ou; var kickEnv; kickEnv = Env.linen(0.001, 1.9, 0.099, 1); kEnv=EnvGen.ar(kickEnv,1, doneAction:2, timeScale: sustain, levelScale: levK); ou =Pan2.ar(Decay2.kr(t_trig, 0.005, 0.45, FSinOsc.ar(f1, 0.4)+FSinOsc.ar(f2, 0.2)),0); Out.ar(out, ou * kEnv * amp); }).store; SynthDef("snTrig1", { arg levSn=1, t_trig=0, sustain=0.125, panPos=0, amp=1, out=0; var snEnv, ou; var snareEnv; snareEnv = Env.linen(0.001, 1.9, 0.099, 1); snEnv=EnvGen.ar(snareEnv,1, doneAction:2, timeScale: sustain, levelScale: levSn); ou =Pan2.ar(Decay2.kr(t_trig, 0.005, 0.25, FSinOsc.ar(38.midicps, 0.3)+ BrownNoise.ar(0.4)),panPos); Out.ar(out, ou*snEnv * amp); }).store; ) ( TempoClock.default.tempo = 2; ~piou2 = Pbind( //\freq, Pseq([600*Pseg(Pseq([0.2,1.0],inf),Pseq([9.5],inf))],inf), \freq, Pstutter(4,Pseq([1,2,4,6,2,8],inf))*0200, \modf, Pstutter(4*2,Pseq([1,2,3,4,5,6],inf)), \amp, Pseq([ Pn(0,8), Pseq([ Pn(Pseq([1,0]),3), Pn(1,6), Pseq([1,0,1,1,0]), ],inf) ],inf)*0.4, //\dur, Ptrace(PdurStutter(Pseq([7,2],inf),Pseq([4,0.5],inf))), \dur, Pseq([Pn(4,8)],inf), //\legato, Pseq([Pseg(Pseq([0.2,1.0],inf),Pseq([9.5],inf))],inf), \sustain, Pseq([Pn(1.5,16),Pn(0.75,8),Pn(3.8,4)],inf), \instrument, "fm1" ); ~bass1 = Pbind( \octave, Pseq([4],inf), \degree, Pseq([ Pseq([0,1],4*(16+8)), Pseq([0,1,5,9],2*16), ],inf), \modf, Pstutter(4*4,Pseq([4,5,6]+2,inf))*10, \scale, [0,3,5,6,7,10], \amp, Pseq([ Pseq([0,0,0,0,0,0,0,0],4), Pseq([1,0,0,0,1,0,0,0],6), Pseq([ Pseq([1,1,1,1,1,1,1,1],6), Pseq([1,0,0,1,1,0,0,1],2), Pseq([1,0,1,0,1,0,1,0],2), Pseq([0,0,0,0,0,0,0,0],1), ],inf) ],inf)*0.6, \dur, Pseq([Pn(0.5,8)],inf), \sustain, Pseq([Pn(0.5,16+8),Pn(0.28,32)],inf), \instrument, "fm1" ); ~hihat = Pbind( \noise, 5, \freq, Pseq([100,210,300],inf)+100, \modf, Pstutter(4*4,Pseq([0.1,7,2,3,4,5,6],inf)), \amp, Pseq([ Pseq([0,0,0,0,0,0,0,0],1), Pseq([0,0,1,0,0,0,1,0],1), Pseq([1,0,1,0,1,0,1,0],1), ],inf)*0.8, \dur, Pseq([Pn(0.5/2,8)],inf), \sustain, Pseq([Pn(0.1,8*8),Pn(0.6,8),Pn(0.1,8*8),Pn(0.8,8)],inf), \instrument, "shh" ); ~kick = Pbind( \dur, 0.5/2, \levK, 5, \amp, Pseq([ Pseq([ Pseq([1,0,1,0,1,0,1,0],1), Pseq([1,0,0,0,0,0,0,0],1), ],2), Pseq([ Pseq([1,0,1,0,1,0,1,0],8), Pseq([1,1,1,1,0,0,0,0],1), Pseq([1,0,1,0,1,0,1,0],8), Pseq([1,0,0,0,0,0,0,0],1), ],inf) ],inf)*0.8, \instrument, "kickTrig1" ); ~snare = Pbind( \dur, 0.5/2, \levSn, 5, \amp, Pseq([ Pseq([0,0,0,0,1,0,0,0],8), Pseq([0,0,0,0,1,0,1,0],1), ],inf)*0.8, \instrument, "snTrig1" ); Ppar([ ~bass1, ~kick, ~snare, ~hihat, ~piou2 ]).play; )
reception
Where i can find the others seven before? thanks
I'm sorry, I can't find them anymore. But the others ones was a lot worst that this one, or was broken, or needed samples that I don't have anymore. I'm glad that you apreciate it and ask for more, this motivate me to share more code, thanks =)