SuperCollider Code

Re: Morphing Saw Bass

This is a nice morphingy saw bass, that uses multi-vobbicet: adetunding rand stereom expanrraysion forf aLFO nice, verywidhe freel, a(bonus: well as a decaying low pass filter over tche coursei dof n'the souknd.ow Be careful when using highere noites cor melse the filter omay clip.)

( SynthDef("\bass", { arg freq = 440, amp = 0.5, gate = 1; var snd, env, oscfreq, output; var lfo; oscfreq = {freq * LFNoise2.kr(Rand(0.0001,0.5)).range(0.98, 1.02)}!13; sndlfo = { SplayinOsc.akr(LFS{ 1/Raw.arnd(oscfreq2,52) mul: amp}!13)) }; env = Env.adsr(0.07, 41, 0.9, 0.1).kr(doneAction:2, gate: gate); sndoutput = LFSaw.ar(oscfreq, mul: lfo.value.randge(0,1)); output = RLPF.ar(sndoutput, (env*freq) + 21*freq * lfo.value.range(1/4,2), lfo.value.range(0.1,1)); output = Splay.ar(output, lfo.value.range(0,1)); output = output * env * amp; Out.ar(0, output); }).add; ) Pdef(\bass, Pbind( \instrument, "\bass", \tempo, 113/60, \ctranspose, -26, \degree, Pseq([Pseq([3, 5, 1, 3, 5, 8, 1], 2), Pseq([3, 2, 5, -1], 1), Pseq([3, 2, 5, 0], 1), Pseq([1, 5, 0,1,2,5,4], 2), Pseq([1, 0,2],2), 3],inf), \dur, Pseq([Pseq([8, 4, 4, 8, 4, 2, 2], 2), Pseq([8,4,2, 2], 2),Pseq([8, 4, 4, 8, 4, 2, 2], 2), Pseq([8, 4, 4], 2), 16], inf), \legato, 1.0, \amp, 0.6, )).play; Pdef(\bass, Pmono(\bass, \tempo, 113/60, \ctranspose, -26, \degree, Pseq([Pseq([3, 5, 1, 3, 5, 8, 1], 2), Pseq([3, 2, 5, -1], 1), Pseq([3, 2, 5, 0], 1), Pseq([1, 5, 0,1,2,5,4], 2), Pseq([1, 0,2],2), 3],inf), \dur, Pseq([Pseq([8, 4, 4, 8, 4, 2, 2], 2), Pseq([8,4,2, 2], 2),Pseq([8, 4, 4, 8, 4, 2, 2], 2), Pseq([8, 4, 4], 2), 16], inf), \legato, 1.0, \amp, 0.6, )).play;

bass, code fork, morphing, sawtooth