Fork Code: Middle Children of History MUSC115 Final

name
code content
//////////////////////////////////////
////////   Ian McDougall  ///////////
//////////////////////////////////////

// ===================================
// SynthDefs here
// ===================================

// Sample definitions

~fight = Buffer.read(s, "C:/Users/Ian/Desktop/SUPERCOLLIDER/FINAL PROJECT/Fight Club Speech.wav ");
~fight.duration;
~kanye = Buffer.read(s, "C:/Users/Ian/Desktop/SUPERCOLLIDER/FINAL PROJECT/Kanye West - Self Conscious on Def Jam Poetry.wav");
~kanye.duration;
~west1 = Buffer.read(s,"C:/Users/Ian/Desktop/SUPERCOLLIDER/FINAL PROJECT/west1.wav");
// Your SynthDefs go here
(

SynthDef("lowbuild", {arg out = 0, dur = 0.75, amp = 0.3, sinfreq = 80, glissf = 0.9, att = 0.01, rel = 0.45, pan = 0;
	var env, snd, ramp;
	env =  Env.pairs([[0,0.05], [dur, 0.1]], \exp).kr(doneAction: 2);
	ramp = XLine.kr(
		start: sinfreq,
		end: sinfreq * glissf,
		dur: rel
	);
	snd = Saw.ar(
		freq: ramp,
		mul: env,
		add: 0);
	snd = Pan2.ar(snd, pan);
	Out.ar(out, snd);
}).add;


SynthDef("speech", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, panning = 0, ffreq = 1000, rq = 0.1, delay = 0.3, decay = 1;
    var snd, env;
	env = Env.pairs([[0,10], [48, 15]], \lin).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
	snd = BPF.ar(snd, ffreq, rq);
	snd = CombC.ar(snd, maxdelaytime: 2, delaytime: delay, decaytime: decay);
	snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

SynthDef(\lead, { |out, freq=440, amp=0.1, gate=1, bps=2|
    var snd;
    var seq = Demand.kr(Impulse.kr(bps*4), 0, Dseq(freq*[1,3,2], inf)).lag(0.01);
    snd = LFSaw.ar(freq*{rrand(0.995, 1.005)}!4);
    snd = Splay.ar(snd);
    snd = MoogFF.ar(snd, seq, 0.5);
    snd = snd * EnvGen.ar(Env.asr(0.01,1,0.01), gate, doneAction:2);
    OffsetOut.ar(out, snd * amp);
}).add;

SynthDef("sampler", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, release = 0.5, panning = 0;
    var snd, env;
    env = Env.perc(attackTime: attack, releaseTime: release, level: amp).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
	snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

SynthDef("sampfilter", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, release = 0.5, ffreq = 1000, rq = 0.1, panning = 0, delay = 0.3, decay = 1;
    var snd, env;
    env = Env.perc(attackTime: attack, releaseTime: release, level: amp).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
    snd = BPF.ar(snd, ffreq, rq);
	snd = CombC.ar(snd, maxdelaytime: 2, delaytime: delay, decaytime: decay);
    snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

SynthDef("hihat", {arg out = 0, amp = 0.5, att = 0.01, rel = 0.2, ffreq = 6000, pan = 0;
	var env, snd;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	snd = WhiteNoise.ar;
	snd = HPF.ar(in: snd, freq: ffreq, mul: env);
	Out.ar(out, Pan2.ar(snd, pan));
}).add;

SynthDef("snare", {arg out = 0, amp = 0.1, sinfreq = 180, att = 0.01, rel = 0.2, ffreq = 2000, pan = 0;
	var env, snd1, snd2, sum;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	snd1 = HPF.ar(
		in: WhiteNoise.ar,
		freq: ffreq,
		mul: env
	);
	snd2 = SinOsc.ar(freq: sinfreq, mul: env);
	sum = snd1 + snd2;
	Out.ar(out, Pan2.ar(sum, pan));
}).add;

SynthDef("kick", {arg out = 0, amp = 0.3, sinfreq = 60, glissf = 0.9, att = 0.01, rel = 0.45, pan = 0;
	var env, snd, ramp;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	ramp = XLine.kr(
		start: sinfreq,
		end: sinfreq * glissf,
		dur: rel
	);
	snd = SinOsc.ar(freq: ramp, mul: env);
	snd = Pan2.ar(snd, pan);
	Out.ar(out, snd);
}).add;

// Basic saw synth for chords and bass
SynthDef("sawSynth", { arg freq = 440, amp = 0.1, att = 0.1, rel = 2, lofreq = 1000, hifreq = 3000;
    var env, snd;
    env = Env.perc(
		attackTime: att,
		releaseTime: rel,
		level: amp
	).kr(doneAction: 2);
    snd = Saw.ar(freq: freq * [0.99, 1, 1.001, 1.008], mul: env);
	snd = LPF.ar(
		in: snd,
		freq: LFNoise2.kr(1).range(lofreq, hifreq)
	);
    snd = Splay.ar(snd);
    Out.ar(0, snd);
}).add;





) // end of SynthDefs







// ===================================
// Define a bunch of "score snippets"
// ===================================

(
~hihat1 = Pbind(
	\instrument, "hihat",
	\dur, Pseq([1/8, Rest(2/8), 2/8, 1/8], inf),
	\att, 0.01,
	\rel, Pseq([0.3, 1, 0.1, 0.3], inf),
	\ffreq, 11000,
	\pan, 0,
	\amp, 0.1 * Pwhite(0.1, 1.8)
);


~snare1 = Pbind(
	\instrument, "snare",
	\dur, Pseq([Rest (3/8), 3/8, Rest(2/8), 4/8], inf),
	\att, 0.01,
	\rel, 0.1,
	\sinfreq, 180,
	\ffreq, 2000,
	\amp, 0.15 * Pwhite(0.1, 1.8)
);

~kick1 = Pbind(
	\instrument, "kick",
	\dur, Pseq([Rest(6/8), 6/8], inf),
	\att, 0.01,
	\rel, 0.22,
	\sinfreq, 60,
	\glissf, 0.9,
	\amp, 0.3 * Pwhite(0.1, 1.8)
);

~bass1 = Pbind(
	\instrument, "sawSynth",
	\freq, Pseq([80, 120, 80, 60, 50, 60], inf),
	\dur, Pseq([Rest(2/4), Rest(1/4), 1/4, 1/4, Rest(2/4), 3/4, 2/4], inf),
	\att, 0.02,
	\rel, Pseq([1, 1, 0.3, 0.3, 1, 0.5, 0.5], inf),
	\amp, 0.6 * Pwhite(0.1, 1.8),
	\lofreq, 50,
	\hifreq, 180
);

~fightspeech = Pbind(
    \instrument, "speech", // notice I'm using granny2 synthdef here
	\rate, Pseq([1], 1),
	\amp, 20, // boosted to 5 because filtering attenuates a lot of the sound
	\startPos, 0,
    \attack, 0.2,
	\ffreq, 300,
	\rq, 0.1,
	\delay, 0.2,
	\decay, 2,
    \buffer, ~fight, // which buffer to play from
    \dur, 48,
	\panning, 0,
);


~pulse = Pbind(
    \instrument, \lead,
    \midinote, Pseq([
        [50, 55, 65, 70],
        [65, 75, 80, 55],
			[40, 45, 50, 55],
            [35, 45, 55, 65, 75],
		],
        inf
    ),
    \dur, Prand([1.25, 1, 2, 1.5], 26),
	\att, 0.1,
	\rel, 4,
    \amp, 0.06
);

~speech1 = Pbind(
    \instrument, "sampfilter", // notice I'm using granny2 synthdef here
	\rate, Pseq([2, 4, 1, 9], 10),
	\amp, 5, // boosted to 5 because filtering attenuates a lot of the sound
	\startPos, Pwhite(0.05, 0.95),
    \attack, 0.2,
    \release, 2,
	\ffreq, Prand([100, 200, 400, 550, 9000, 50, 100, 2000], inf),
	\rq, 0.1,
	\delay, 0.2,
	\decay, 2,
    \buffer, ~fight, // which buffer to play from
    \dur, 0.5,
	\panning, Pwhite(-0.5, 0.5)
);

~speech2 = Pbind(
    \instrument, "sampfilter", // notice I'm using granny2 synthdef here
	\rate, Pseq([0.2, 0.4, 0.3, 0.5], 14),
	\amp, 12, // boosted to 5 because filtering attenuates a lot of the sound
	\startPos, Pwhite(0.05, 0.95),
    \attack, 0.4,
    \release, 2.5,
	\ffreq, Prand([100, 200, 400, 550, 9000, 50, 100, 2000], inf),
	\rq, 0.1,
	\delay, 0.2,
	\decay, 1,
    \buffer, ~fight, // which buffer to play from
    \dur, 0.5,
	\panning, Pwhite(-0.5, 0.5)
);

~kanye1 = Pbind(
    \instrument, "sampler",
	\rate, Pseq([1.2], inf), // notice this one ENDS after 4 cycles
	\amp, Pseq([1, 1, 0.6, 0.6], 4),
	\startPos, Pseq([0.57, 0.4, 0.8, 0.65],4),
    \attack, 0.01,
	\release,Pseq([ 0.5, 1, 1, 1], inf),
    \buffer, ~kanye, // which buffer to play from
	\dur,  Pseq([0.5, Rest(0.25), 1, 1], inf)
);

~hihat2 = Pbind(
	\instrument, "hihat",
	\dur, Pseq([0.125], inf),
	\att, 0.01,
	\rel, Pseq([0.3, 1, 0.1, 0.3], inf),
	\ffreq, 11000 *Pwhite(0.3, 0.9),
	\pan, Pwhite(-1, 1),
	\amp, 0.1 * Pwhite(0.1, 1.8)
);


~snare2 = Pbind(
	\instrument, "snare",
	\dur, Pseq([1,1], inf),
	\att, 0.01,
	\rel, Pseq([0.1, 0.1, 0.1, 0.75, 0.1, 0.1, 0.1, 0.75],inf),
	\sinfreq, 0,
	\ffreq, 200,
	\amp, 0.2
);

~kick2 = Pbind(
	\instrument, "kick",
	\dur, Pseq([1, 0.25, Rest(0.25), 0.125, 0.125, Rest(0.25)], inf),
	\att, 0.01,
	\rel, 0.22,
	\sinfreq, 60,
	\glissf, 0.9,
	\amp, 0.7
);


~down = Pbind(
	\instrument, "sawSynth",
	\freq, Pseq([55, 65.41, 82.41, 98].reverse, 4),
	\dur, Pseq([1/8, 1/8, 1/8, 1/8, 1/8, 1/8, 1/8], 4),
	\ctranspose, [0, -12],
	\att, 0.01,
	\rel, 0.2,
	\amp, 0.4,
	\lofreq, 100,
	\hifreq, 1000
);

~up = Pbind(
	\instrument, "sawSynth",
	\freq, Pseq([55, 65.41, 82.41, 98], 4),
	\dur, Pseq([1/8, 1/8, 1/8, 1/8, 1/8, 1/8, 1/8], 4),
	\ctranspose, [0, -12],
	\att, 0.01,
	\rel, 0.2,
	\amp, 0.4,
	\lofreq, 100,
	\hifreq, 1000
);

~down2 = Pbind(
	\instrument, "sawSynth",
	\freq, Pseq([72, 72, 66, 66].reverse, 4),
	\dur, Pseq([1/8, 1/8, 1/8, 1/8, 1/8, 1/8, 1/8], 4),
	\ctranspose, [0, -12],
	\att, 0.01,
	\rel, 0.2,
	\amp, 0.4,
	\lofreq, 100,
	\hifreq, 1000
);

~up2 = Pbind(
	\instrument, "sawSynth",
	\freq, Pseq([80, 76, 72, 70], 4),
	\dur, Pseq([1/8, 1/8, 1/8, 1/8, 1/8, 1/8, 1/8], 4),
	\ctranspose, [0, -12],
	\att, 0.01,
	\rel, 0.2,
	\amp, 0.4,
	\lofreq, 100,
	\hifreq, 1000
);

~lowbuild = Pbind(
	\instrument, "lowbuild",
	\sinfreq, Pseq([100,90, 80, 70, 60 ], 1),
	\dur, Pseq([2, 1, 0.5, 0.25, 0.15],inf),
	\amp, 0.2,
	\rel, 2,
	\glissf, Pseq([0.5], inf)
);

~lowbuild2 = Pbind(
	\instrument, "lowbuild",
	\sinfreq, Pwhite(100, 200),
	\dur, Prand([0.1, Rest(0.1), 0.3, 0.2],20),
	\amp, 0.2,
	\rel, 2,
	\glissf, Pseq([4], inf)
);

~lowbuild3 = Pbind(
	\instrument, "lowbuild",
	\sinfreq, Pwhite(200, 400),
	\dur, Prand([0.1, Rest(0.1), 0.3, Rest(0.2)],20),
	\amp, 0.2,
	\rel, 2,
	\glissf, Pseq([0.2], inf)
);

~kanye2 = Pbind(
    \instrument, "sampler",
	\rate, Pseq([1.2], inf), // notice this one ENDS after 4 cycles
	\amp, Pseq([1, 1, 0.6, 0.6], 4),
	\startPos, Pseq([0.4, 0.2, 0.3, 0.8],4),
    \attack, 0.01,
	\release,Pseq([ 0.5, 1, 1, 1], inf),
    \buffer, ~kanye, // which buffer to play from
	\dur,  Pseq([0.5, Rest(0.25), 1, 1], inf)
);

~hihat3 = Pbind(
	\instrument, "hihat",
	\dur, Pseq([0.0833333333], inf),
	\att, 0.02,
	\rel, Pseq([0.2, 0.4, 0.1, 0.15], inf),
	\ffreq, Pwhite(700, 18000),
	\pan, Pwhite(-1, 1),
	\amp, 0.1 * Pwhite(0.1, 1.8)
);

~fight2 = Pbind(
    \instrument, "sampler",
	\rate, Pseq([3], inf), // notice this one ENDS after 4 cycles
	\amp, Pseq([1, 1, 0.6, 0.6], 4),
	\startPos, Pseq([0.9, 0.2, 0.25, 0.7],4),
    \attack, 0.01,
	\release,Pseq([ 2, 1, 1, 1], inf),
    \buffer, ~fight, // which buffer to play from
	\dur,  Pseq([2, Rest(0.25), 1, 1], inf)
);

)

 // end of Pbind definitions





// ============
// Quick test
// ============

~hihat1.play;
~snare1.play;
~kick1.play;
~bass1.play;
~pulse.play;
~fightspeech.play;
~speech1.play;
~speech2.play;
~up.play;
~hihat2.play;
~hihat3.play;


// =====================
// Sequencing & playing
// using Pspawner
// =====================




(
Pspawner({ arg maestro;

	"start".postln;
	~drumbeat1 = maestro.par(Ppar([ ~kick1, ~hihat1]));
	maestro.wait(4);
	~drumbeat12 = maestro.par(Ppar([~pulse, ~snare1]));
    maestro.par(~fightspeech);
	maestro.seq(~speech1);
	maestro.seq(~speech2);
	maestro.suspend(Ppar([~fightspeech, ~drumbeat1]));
	maestro.wait(2);
	~drumbeat2 = maestro.par(Ppar([~kick2, ~snare2, ~hihat2]));
	maestro.seq(~kanye1);
	maestro.wait(4);
	maestro.seq(Ppar([~up, ~down]));
	maestro.seq(~up);
	maestro.seq(Ppar([~up, ~down]));
	maestro.seq(~down);
	maestro.seq(Ppar([~up, ~down]));
	maestro.seq(~up);
	maestro.seq(Ppar([~up, ~down]));
	maestro.seq(~down);
	maestro.seq(Ppar([~up2, ~down2]));
	maestro.seq(~up2);
	maestro.seq(Ppar([~up2, ~down2]));
	maestro.seq(~down2);
	maestro.suspend(~drumplayer2);
	maestro.par(Ppar([~hihat3, ~snare2, ~kick2, ~fight2]));
	maestro.seq(~lowbuild);
	maestro.seq(~lowbuild2);
	maestro.seq(~lowbuild3);
	maestro.seq(~kanye1);
	maestro.seq(Ppar([~speech1, ~kanye2]));
	maestro.seq(~speech2);
	"end".postln;
    maestro.suspendAll;

}).play
)

s.record;
s.stopRecording;
code description use markdown for formating
category tags comma separated, i.g. "wild, siren" (do not enter default SC class names, please)
ancestor(s) comma separated identificators, i.g. "1-C,1-1,1-4M,1-x"
Private? the code will be accessible by direct url and not visible in public activity
comment of change