Fork Code: In Love - MUSC 115 Final

name
code content
//In Love - MUSC 115 Final
//Lydia Davidson


//Samples

a = Buffer.read(s, "/Applications/Audacity/Angels Intro.wav");

b = Buffer.read(s, "/Applications/Audacity/As In Love.wav");

c = Buffer.read(s, "/Applications/Audacity/Beat And Leaving.wav");

a.play;

b.play;

c.play;


// SynthDefs
(
// simple synthdef, no filters or effects, just env and panning control
SynthDef("granny1", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, release = 0.5, panning = 0;
    var snd, env;
    env = Env.perc(attackTime: attack, releaseTime: release, level: amp).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
	snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

// Same as above, but adding a filter just for fun
SynthDef("granny2", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, release = 0.5, ffreq = 1000, rq = 0.1, panning = 0;
    var snd, env;
    env = Env.perc(attackTime: attack, releaseTime: release, level: amp).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
    snd = BPF.ar(snd, ffreq, rq);
    snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

// Same as above, but adding an echo effect (CombC)
SynthDef("granny3", {arg rate = 1, amp = 1, buffer, startPos = 0, attack = 0.02, release = 0.5, ffreq = 1000, rq = 0.1, panning = 0, delay = 0.3, decay = 1;
    var snd, env;
    env = Env.perc(attackTime: attack, releaseTime: release, level: amp).kr(doneAction: 2);
    snd = PlayBuf.ar(
        numChannels: 1,
        bufnum: buffer,
        rate: rate,
        startPos: startPos.linlin(0, 1, 0, BufFrames.kr(buffer))
    );
    snd = snd * env;
    snd = BPF.ar(snd, ffreq, rq);
	snd = CombC.ar(snd, maxdelaytime: 2, delaytime: delay, decaytime: decay);
    snd = Pan2.ar(snd, panning);
    Out.ar(0, snd);
}).add;

SynthDef("hihat", {arg out = 0, amp = 0.5, att = 0.01, rel = 0.2, ffreq = 6000, pan = 0;
	var env, snd;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	snd = WhiteNoise.ar;
	snd = HPF.ar(in: snd, freq: ffreq, mul: env);
	Out.ar(out, Pan2.ar(snd, pan));
}).add;

SynthDef("snare", {arg out = 0, amp = 0.1, sinfreq = 180, att = 0.01, rel = 0.2, ffreq = 2000, pan = 0;
	var env, snd1, snd2, sum;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	snd1 = HPF.ar(
		in: WhiteNoise.ar,
		freq: ffreq,
		mul: env
	);
	snd2 = SinOsc.ar(freq: sinfreq, mul: env);
	sum = snd1 + snd2;
	Out.ar(out, Pan2.ar(sum, pan));
}).add;

SynthDef("kick", {arg out = 0, amp = 0.3, sinfreq = 60, glissf = 0.9, att = 0.01, rel = 0.45, pan = 0;
	var env, snd, ramp;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
	ramp = XLine.kr(
		start: sinfreq,
		end: sinfreq * glissf,
		dur: rel
	);
	snd = SinOsc.ar(freq: ramp, mul: env);
	snd = Pan2.ar(snd, pan);
	Out.ar(out, snd);
}).add;



SynthDef("kick", {arg out = 0, amp = 0.3, sinfreq = 60, glissf = 0.9, att = 0.01, rel = 0.45, pan = 0;
    var env, snd, ramp;
	env = Env.perc(att, rel, amp).kr(doneAction: 2);
    ramp = XLine.kr(
        start: sinfreq,
        end: sinfreq * glissf,
        dur: rel
    );
	snd = SinOsc.ar(freq: ramp, mul: env);
    snd = Pan2.ar(snd, pan);
    Out.ar(out, snd);
}).add;


SynthDef("sawSynth", { arg freq = 440, amp = 0.1, att = 0.1, rel = 2, lofreq = 1000, hifreq = 3000;
    var env, snd;
    env = Env.perc(
		attackTime: att,
		releaseTime: rel,
		level: amp
	).kr(doneAction: 2);
    snd = Saw.ar(freq: freq * [0.99, 1, 1.001, 1.008], mul: env);
	snd = LPF.ar(
		in: snd,
		freq: LFNoise2.kr(1).range(lofreq, hifreq)
	);
    snd = Splay.ar(snd);
    Out.ar(0, snd);
}).add;

)

//Pbinds
(
~shhh = Pbind(
	\instrument, "snare",
	\dur, 1/30,
	\att, 0.5,
	\rel, 0.01,
	\sinfreq, 25000,
	\ffreq, 15000,
	\amp, Pseg( Pseq([0.005, 0.1],inf), Pseq([7, 15], 1), \linear)
);



~shhh2 = Pbind(
	\instrument, "snare",
	\dur, 1/30,
	\att, 0.5,
	\rel, 0.01,
	\sinfreq, 25000,
	\ffreq, 15000,
	\amp, Pseg( Pseq([0.005, 0.01],inf), Pseq([7, 10], 1), \linear)
);


~atmosphereAmp = 1; // 1 does not change anything
~atmosphere = Pbind(
    \instrument, "granny2",
	\rate, 2,
    \amp, 0.8 * Pfunc({~atmosphereAmp}),
    \startPos, 0,
    \attack, 0.5,
    \release, 10,
	\ffreq, 10000,
	\rq, 0.05,
    \buffer, a,
    \dur, 1,
);


~atmosphere2Amp = 1;
~atmosphere2 = Pbind(
    \instrument, "granny2",
	\rate, 4,
	\amp, 0.9 * Pfunc({~atmosphere2Amp}),
    \startPos, 0,
    \attack, 1,
    \release, 6,
	\ffreq, 15000,
	\rq, 0.02,
    \buffer, a,
    \dur, 2,
);


~intro = Pbind(
    \instrument, "granny1",
	\rate, 2,
	\amp, Pseq([Pn(0.04, 5), 0.05, 0.06, 0.06, 0.07, 0.07, 0.08, 0.09, 0.09, 0.09, 0.1]),
    \startPos, 0.25,
    \attack, 3.5,
    \release, 0.5,
    \buffer, a,
    \dur, 1,
);


~introsh = Pbind(
    \instrument, "granny1",
	\rate, 2,
	\amp, Pseq([Pn(0.04, 3), 0.03, 0.02, 0.01, 0.007, 0.002]),
    \startPos, 0.25,
    \attack, 6,
    \release, 1,
    \buffer, a,
    \dur, 1,
);


~intro2 = Pbind(
    \instrument, "granny1",
	\rate, 2,
    \amp, 0.1,
    \startPos, 0.45,
    \attack, 1,
    \release, 1,
    \buffer, a,
    \dur, 1,
);


~inLove = Pbind(
    \instrument, "granny1",
	\rate, Pseq([4, 2, 1]),
	\amp, Pseq([0.15, 0.25, 0.5]),
	\startPos, 0.10,
    \attack, 5,
	\release, Prand([6, 7, 8, 9, 10], 3),
    \buffer, b,
	\dur, Pseq([0.5, 1, 1.5]),
	\panning, Pwhite(-1, 1.0);
);


~inLove2 = Pbind(
    \instrument, "granny1",
	\rate, Pseq([2, 2, 1, 1, 1, 1, 1, 1, 1], 3),
	\amp, 0.05,
	\startPos, 0.10,
    \attack, 0.7,
	\release, 0.7,
    \buffer, b,
	\dur, Pseq([0.5, Rest, 0.5, 0.5, 0.5, 0.5, 0.5, Rest, 0.5]),
	\panning, Pwhite(-1, 1.0);
);


~love = Pbind(
    \instrument, "granny1",
	\rate, 2,
	\amp, 0.025,
	\startPos, 0.17,
    \attack, 0.5,
	\release, 1,
    \buffer, b,
	\dur, Pseq([0.5, Rest, 0.5]),
	\panning, Pwhite(-1, 1.0);
);


~ch = Pbind(
    \instrument, "granny2", // notice I'm using granny2 synthdef here
	\rate, 1,
	\amp, 1, // boosted to 5 because filtering attenuates a lot of the sound
	\startPos, Pseq([0.4, 0.93, 0.7, 0.9], inf),
    \attack, 0.02,
    \release, 0.4,
	\ffreq, 6500,
	\rq, 0.02,
    \buffer, c, // which buffer to play from
    \dur, 0.03,
	\panning, Pwhite(-0.5, 0.5)
);


~bass = Pbind(
    \instrument, "granny1",
	\rate, 0.5,
	\amp, 0.08,
	\startPos, 0.3,
    \attack, 0.02,
	\release, 1,
    \buffer, c,
	\dur, 0.25,
	\panning, 0;
);


~prevoiceAmp = 1;
~prevoice = Pbind(
    \instrument, "granny3",
	\rate, 2,
	\amp, 0.5 * Pfunc({~prevoiceAmp}),
	\startPos, Pseq([0.25, 0.15, 0.67, 0.9, 0.87], 2),
    \attack, 1,
    \release, 0.6,
	\ffreq, 700,
	\rq, 0.05,
	\delay, 0.2,
	\decay, 2,
    \buffer, b,
    \dur, 0.5,
	\panning, Pwhite(-0.5, 0.5)
);


~prevoice2Amp = 1;
~prevoice2 = Pbind(
    \instrument, "granny3",
	\rate, Pseq([8, 4, 2], 3),
	\amp, 0.5 * Pfunc({~prevoice2Amp}),
	\startPos, Pseq([0.25, 0.15, 0.67, 0.9, 0.87], 3),
    \attack, 1,
    \release, 0.6,
	\ffreq, 700,
	\rq, 0.05,
	\delay, 0.2,
	\decay, 2,
    \buffer, b,
    \dur, 0.5,
	\panning, Pwhite(-0.5, 0.5)
);


~kick = Pbind(
	\instrument, "kick",
	\dur, 0.25,
	\att, 0.002,
	\rel, 0.12,
	\sinfreq, 30,
	\glissf, 0.5,
	\amp, 0.5,
);



~kick2 = Pbind(
	\instrument, "kick",
	\dur, Pseq([0.25, Rest(0.75)], inf),
	\att, 0.002,
	\rel, 0.12,
	\sinfreq, 80,
	\glissf, 0.5,
	\amp, 0.5,
);


~kick3 = Pbind(
	\instrument, "kick",
	\dur, 0.5,
	\att, 0.002,
	\rel, 0.12,
	\sinfreq, 20,
	\glissf, 0.5,
	\amp, 0.5,
);


~kick4 = Pbind(
	\instrument, "kick",
	\dur, 2,
	\att, 0.02,
	\rel, 0.05,
	\sinfreq, 90,
	\glissf, 0.5,
	\amp, 0.5,
);

)




// =================================
// Putting stuff together with Pspawner
// =================================



t = TempoClock(58/60);

(
t = TempoClock(58/60);
Pspawner({ arg maestro;

	
	maestro.par(~shhh);
    6.wait;

	~player = maestro.par(~atmosphere2);
	6.5.wait;

	~player0 = maestro.par(~atmosphere);
	10.wait;

	~player1 = maestro.par(~intro);
	8.wait;

	maestro.suspend(~player);

	~player2 = maestro.par(~bass);
	1.wait;

	maestro.suspend(~player1);

	~player5 = maestro.par(~intro2);
	3.wait;

	~player3 = maestro.par(~ch);

	~player4 = maestro.par(~kick);
	4.wait;

	~player7 = maestro.par(~kick2);
	4.wait;

	~player8 = maestro.par(~kick3);
	2.wait;

	~player9 = maestro.par(~kick4);
	maestro.seq(~prevoice);
	1.wait;

	maestro.seq(~prevoice2);

	maestro.suspend(~player8);
	2.wait;

	maestro.par(~prevoice);
	2.wait;

	maestro.par(~prevoice2);
	2.wait;

	maestro.par(~prevoice2);
	1.wait;

	maestro.par(~prevoice);

	maestro.par(~inLove2);
	4.wait;

	~player6 = maestro.par(~intro);

	maestro.par(~inLove2);
	3.wait;
	
	maestro.par(~inLove);
	2.5.wait;
	
	maestro.suspend(~player2);
	maestro.suspend(~player7);
	maestro.suspend(~player3);
	maestro.suspend(~player4);
	maestro.suspend(~player9);
	
	maestro.par(~inLove);
	2.wait;

	maestro.suspend(~player6);
	3.wait;

	maestro.suspend(~player5);

	maestro.par(~atmosphere2);
	6.wait;

	~player1 = maestro.par(~intro);
	5.wait;
	
	~player8 = maestro.par(~kick3);
	3.wait;
	
	maestro.par(~shhh2);
	3.wait;

	maestro.par(~prevoice);
	2.wait;

	maestro.par(~prevoice2);
	2.wait;
	
	maestro.suspend(~player8);
	2.wait;
	
	maestro.seq(~love);
	
	maestro.seq(~introsh);
	5.wait;



	maestro.suspendAll;


}).play(t);
)
code description use markdown for formating
category tags comma separated, i.g. "wild, siren" (do not enter default SC class names, please)
ancestor(s) comma separated identificators, i.g. "1-C,1-1,1-4M,1-x"
Private? the code will be accessible by direct url and not visible in public activity
comment of change