{
   "description" : "Simple handy code for quick class demonstrations. Hear and compare a few intervals in Just Intonation versus 12-tone Equal Tempered tuning.",
   "ancestor_list" : [],
   "name" : "Comparing M3, M2, P5 in Just Intonation and ET12",
   "author" : "Bruno Ruviaro",
   "is_private" : null,
   "id" : "1-5aL",
   "code" : "// Handy code for quick class demonstrations.\r\n// Comparing a few intervals - Just Intonation versus 12-tone Equal Tempered\r\n\r\n// Major third (just)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 60.midicps * 5/4], mul: 0.1) }).play\r\n// Major third (ET12)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 64.midicps], mul: 0.1) }).play;\r\n\r\n// Major second (just)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 60.midicps * 9/8], mul: 0.1) }).play\r\n// Major second (ET)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 62.midicps], mul: 0.1) }).play;\r\n\r\n// Perfect fifth (just)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 60.midicps * 3/2], mul: 0.1) }).play\r\n// Perfect fifth (ET)\r\nNdef(\\a, { Saw.ar(freq: [60.midicps, 67.midicps], mul: 0.1) });",
   "labels" : [
      "tuning",
      "just",
      "et12"
   ]
}